Ideal [Dis-]Placements. Old Masters at the Pulitzer. The Pulitzer Foundation for the Arts
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Jusepe de Ribera, Spanish, 1591 – 1652

Saint Jerome, 1640
Oil on canvas
Framed: 165 x 139.5 cm (64 15/16 x 54 15/16 inches)
Harvard Art Museum, Gift of Arthur Sachs
1920.7

On Saint Jerome
[Jerome] hastened to the desert; and . . . he tells what great ills he bore there for Christ. "For as long as I dwelt in the desert in that vast solitude, burnt with the heat of the sun, . . . I thought that I was in the midst of the delights of Rome. . . . I imagined that I was surrounded by dancing girls, and in my frozen body and moribund flesh the fires of concupiscence were lighted. For this I wept unceasingly, and subjugated the rebellious flesh with week-long fasts. . . . [A]nd angered and stern with myself I sought the desert wastes alone."

The Golden Legend of Jacobus de Voragine [c. 1260], ed. and trans. Ryan Granger and Helmut Ripperger (New York: Arno Press, 1969), 588-89.

Jusepe de Ribera, Spanish, 1591 – 1652

Ribera did not enjoy painting sweet and devout subjects as much as he liked expressing horrifying and harsh things, such as the bodies of old men: dry, wrinkled, and lean, with gaunt and withered faces, everything done accurately after the model with extraordinary skill, vigor, and elegant technique.

Antonio Palomino de Castro y Velasco, "José de Ribera, Eminent Painter, Called 'il Spagnoleto' in Italy" [1724], trans. Nina Ayala Mallory, in Lives of the Eminent Spanish Painters and Sculptors by Antonio Palomino (Cambridge University Press, 1987), 123.

24 October 2008 through 20 June 2009

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